Laus Deo, Sydney Dobell "'He is not dead, but sleepeth,' said the Priest, and smooth'd his brow. 'Sleepeth?' said she, looking up, and the sun rose in her face! 'He must be better than I thought, for the sleep is very sound.'"
The Premature Burial, Edgar Allan Poe "In fact, I no longer dared trust myself out of the immediate presence of those who were aware of my proneness to catalepsy, lest, falling into one of my usual fits, I should be buried before my real condition could be ascertained. I entered into a series of elaborate precautions. Among other things, I had the family vault so remodelled as to admit of being readily opened from within."
Arrangement of Legend for castanets, bass and guitar Čeština: Hudební skladba Asturias (Leyenda) nebo pouze Leyenda španělského skladatele a klavíristy Isaaca Albénize (1860-1909). Эрзянь: Астурия (Валкортамонь невтема) эли Валкортамонь невтема — те седямонь сёрмадовксось, арсицязо Исаак Альбенис (1860-1909), испанонь седийсёрмадеесь, пианосоналксиесь. Kompozycja Asturias (Legenda) hiszpańskiego kompozytora i pianisty Isaaca Albéniza w aranżacji na kastaniety, bęben i gitarę.
Title/Work: Meine Seele rühmt und preist (My soul extols and praises), BWV 189 Content: Disc 23B: Part 2: Recitative and aria Genre(s): Cantata Author(s)/(Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Max Meili (1899-1970) Conductor: Curt Sachs (1881-1959) Place of recording: Paris (France) 1st release date: 1935 1st recording date: 1935
Synthesized MIDI rendering of Guillaume Dufay's "Ave Regina", c.1450, Ox. Bod. Can. misc. 213 f.62, after facsimile in W. Apel, The Notation of Polyphonic Music (1960), facs. 26. Created with Lilypond.
Example of atonal music which avoids octaves, avoids major and minor triads, avoids more than three notes from the same diatonic scale, and avoids conjunct melodies/uses disjunct melodies. From Schoenberg's Klavierstucke, Op. 11, No. 1.